![]() ![]() ![]() To be able to do this well, they need a highly precise listening environment, expertly built room acoustics, durable and reliable equipment, and an absolutely transparent sounding monitoring/playback chain. I call Mastering Engineers "Professional Audiophiles." These guys put the finishing touches on an album and make the final decisions on how it should sound before it goes to pressing. Drawing from our Pro Studio designsīorrowing technology we designed into many custom Mastering Consoles built for the most discerning clients we have ever run across, we brought our little research lab switchboxes to the next level. A few problems with this approach:ġ) Toggle switches produce an audible click because the contact is not make-before-break.Ģ) You get a lot of high frequency leakage across small toggle switches which destroys your imaging cues.ģ) You need to use long cables running back and forth between you and the gear in order to switch from your listening position while listening so now you're listening to long cables.Ĥ) Usually you run out of available poles to be able to also switch grounds which leaves you with potential ground loops from all the RCAs being permanently tied together.ĥ) Little flimsy plastic boxes get pulled all over the place by those gigantic hifi cables and they just won't sit where you tell them to! The next step. Our earliest rinky-dink plastic in-house switchboxes were just a couple of RCAs wired to a toggle switch. When we are evaluating new designs, these utility boxes can quickly and conveniently switch between two different circuits either on the test bench or in a playback system in order to compare A vs. We have been building little switch boxes for years which we use at the factory or in our listening systems to compare two different things. It's a small box, and it seems too simple, but there is a lot to tell you about this new unit. ![]() But behind the deceptively simple facia is some incredibly clever and thoughtful engineering. What you need is a simple A->B Source switcher, and that's what the Manley SKIPJACK is, and more. Have you ever wanted to compare two (or more!) sets of interconnects or listen to the difference between a couple of preamps or a few CD players or be your own armchair reviewer? How about you guys with the Manley Steelhead? You have one line input available and have to keep swapping cables when you want to listen to your CD or tuner? Hey, or would you like to go backwards and have one source drive either this or that? And why has no one ever commercially offered a real high-end audiophile thing to do this job? 4 into 1 or 3 into 2 audiophile source selector. ![]()
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